Here are some specific cases for the subject-verb chord in English: the highly irregular verb is the only verb with more coherence than this one in the contemporary form. If you are referring to general groups or names, you should pay attention to the number and gender agreement. A sentence consists of two parts: SUBJECT, which tells us what it is in the sentence. It can be either a nostantiv (book, cars, Maria, etc.) or a pronoun (she, her, etc.). It can be singular or plural. THE VERBE represents the action of a sentence (is, va, will, will place, will have taken, etc.) Spoken French always distinguishes the second plural person, and the first plural person in formal language, from the other and from the rest of the presence in all verbs in the first conjugation (infinite in -it) other than everything. The plural first-person form and the pronoun (us) are now replaced by the pronoun (literally: „one“) and a third person of singular verb in modern French. So we work (formally) on Work. In most of the verbs of other conjugations, each person in the plural can be distinguished between them and singular forms, again, if one uses the traditional plural of the first person. The other endings that appear in written French (i.e.
all singular endings and also the third plural person of the Other as the Infinitifs in-er) are often pronounced in the same way, except in the contexts of liaison. Irregular verbs such as being, fair, all and holdings have more pronounced contractual forms than normal verbs. Languages cannot have a conventional agreement at all, as in Japanese or Malay; barely one, as in English; a small amount, as in spoken French; a moderate amount, such as in Greek or Latin; or a large quantity, as in Swahili. Another characteristic is the agreement in the entries that have different forms for different sexes: there is also the concordance in the number. For example: Vitabu viwili vitatosha (Two books will suffice), Michungwa miwili itatosha (Two orange trees will suffice), Machungwa mawili yatatosha (Two oranges will suffice). Subjects and verbs must agree on the number for a sentence to be sensual. Although grammar can be a bit odd from time to time, there are 20 rules of the subject-verbal chord that summarize the subject fairly concisely. Most concepts of the verb-subject chord are simple, but exceptions to the rules can make it more complicated. The problem with grammar rules, from the point of view of modern linguistics, is that many rules are not absolute. There are many exceptions to the rules, as we can see here. It may be useful to mark compressed lists of rules like these as bookmarks. „In English, consent is relatively limited.
It occurs between the subject of a clause and a current of tension, so that. B, in the case of a singular subject of a third person (for example. B John), the verb of the suffix-suffix must stop. That is, the verb corresponds to its subject by having the corresponding extension. Thus, John drinks a lot of grammar, but drinking a lot to John is not grammatically as a sentence for himself, because the verb does not agree. There is also a consensus between pronouns and precursors. Examples can be found in English (although English pronouns mainly follow natural sex and not grammatical sex): modern English is not very consistent, although it is present. What would a grammar lesson be without a few exceptions to the rule? Let`s look at some of the most remarkable exceptions: In noun sentences, adjectives do not agree with the noun, although pronouns do. z.B.
a szép k-nyveitekkel „with your beautiful books“ („szép“: nice): the suffixes of the plural, the possessive „your“ and the fall marker „with“ are marked only on the name.